After Matisse (Still Life with(out) Asphodels)
After Matisse (Still Life with(out) Asphodels)

2018, oil on arches oil paper, 155 x 230mm, private collection

After Sargent (Fire Mountain) 1 + 2
After Sargent (Fire Mountain) 1 + 2

series of 6, 2016, watercolour on arches,
210 x 150mm

After Boucher, Venus consoling Love
After Boucher, Venus consoling Love

2022, watercolour on 300gsm arches, 300x420mm

Lovers in art, series of 6
Lovers in art, series of 6

2020, watercolour on postcard sized card. Clockwise from top left: ‘After Pierre Paul Prud’hon, Venus’, ‘After Boucher, Venus and Mars surprised by Vulcan’, ‘After Bernini, Apollo and Daphne’, ‘After Tintoretto, Lucretia and Tarquinius’, ‘After Bronzino, Venus’, ‘After Anon, Lover’s Meeting’ – all images studied from GS Whittet’s Lovers in art, published by Studio Vista 1972.

All held in private collections.

After Matisse (Still Life with(out) Asphodels)
After Sargent (Fire Mountain) 1 + 2
After Boucher, Venus consoling Love
Lovers in art, series of 6
After Matisse (Still Life with(out) Asphodels)

2018, oil on arches oil paper, 155 x 230mm, private collection

After Sargent (Fire Mountain) 1 + 2

series of 6, 2016, watercolour on arches,
210 x 150mm

After Boucher, Venus consoling Love

2022, watercolour on 300gsm arches, 300x420mm

Lovers in art, series of 6

2020, watercolour on postcard sized card. Clockwise from top left: ‘After Pierre Paul Prud’hon, Venus’, ‘After Boucher, Venus and Mars surprised by Vulcan’, ‘After Bernini, Apollo and Daphne’, ‘After Tintoretto, Lucretia and Tarquinius’, ‘After Bronzino, Venus’, ‘After Anon, Lover’s Meeting’ – all images studied from GS Whittet’s Lovers in art, published by Studio Vista 1972.

All held in private collections.

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